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Hill also takes some shots at contemporary artists at the time that she believed to be mediocre in terms of their talent. It’s a stop and take notice moment that throws you into their world and catches your attention. The first song on the record is the beat-heavy How Many Mics and it’s a tight rhyme-spitting number that sees the trio hitting back at their critics while showing off their skills. The trio also allowed each other to shine and they all contribute something to every single song. They didn’t represent the ‘thug life’ style of many of their contemporaries, instead crafting songs about society and life in America as black people. One of the things that was so refreshing about Fugees was their refusal to give in to the rap clichés of guns, blunts and women. The Score opens with a spoken word intro, Red Intro, by Red Alert and Ras Barake, and it sets the tone for the record. It’s such a clever twist on the classic song as it gave it a contemporary urban beat whilst retaining the soul of the melody and lyrics. While Hill does use her incredible singing voice throughout album, Killing Me Softly is the only track where she sings for the entirety. The Score contains the trio’s biggest hit, a cover of Killing Me Softly, which interestingly isn’t representative of the rest of the album at all. The album has is being reissued on vinyl as 2LP set by Sony Music CMG just over 22 years on from its initial release.

It sold over 6 million copies in the US alone and was certified 5x Platinum in the UK. The end result was The Score, one of the most ground-breaking and important rap albums of all-time.

Give complete creative control and an advance to make the album they wanted to, the band – Wyclef Jean, Lauryn Hill and Pras – set up a studio in Wyclef’s uncle’s basement. Fugees were handed a lifeline after their 1994 debut album Blunted on Reality was a critical and commercial disappointment.
